No Time to Lose Sex-Appeal
Love and Attractiveness in the Last James Bond Movie 2021
https://doi.org/10.17583/mcs.9777
Keywords:
Downloads
Type:
textAbstract
The James Bond films have had great impact in society from the first one to the most recent one (1962-2021). Much research has been conducted on them, particularly about masculinity and femininity representations. Bond habitually embodies a model of masculinity that disdains women in repetitive dynamics in each film disguised as a halo of seduction. It is identified that this masculinity model has changed in the last films towards a more sensitive and less sexist one. However, the audience’s perception of Bond’s attractiveness according to this change has not been analyzed in depth. This paper aims at studying people’s perceptions of Bond’s attractiveness as the character’s way of treating women changes, particularly in the last film No time to die. To that end, film reviews and user comments in digital platforms were revised. Then, 6 interviews have been conducted. Results show that the language of ethics is used mostly to refer to the correctness of Bond’s changes. The language of desire is mainly used to express a preference for the attractiveness of the traditional model of Bond’s masculinity. A discussion about the language of ethics and the language of desire related to the coercive discourse is made proposing further research.
Downloads
References
Adams, A. (2017). “The sweet tang of rape”: Torture, survival and masculinity in Ian Fleming’s Bond novels. Feminist Theory, 18(2), 137–158. https://doi.org/10.1177/1464700117700043
Google Scholar CrossrefAgar, M. H. (1980) The professional stranger: An informal introduction to ethnography. Academic Press.
Google Scholar CrossrefBerenguera, A., Férnandez de Sanmamed, M.J., Pons, M., Pujol. E., Rodríguez, D., & Saura, S. (2014) Escuchar, observar y comprender. Recuperando la narrativa en las Ciencias de la Salud. Aportaciones de la investigación cualitativa. Institut Universitari d’Investigació en Atenció Primària Jordi Gol (IDIAP J. Gol).
Google Scholar CrossrefBleakley, A., Jamieson, P. E., & Romer, D. (2012). Trends of Sexual and Violent Content by Gender in Top-Grossing U.S. Films, 1950–2006. Journal of Adolescent Health Care: Official Publication of the Society for Adolescent Medicine, 51(1), 73–79. https://doi.org/10.1016/j.jadohealth.2012.02.006
Google Scholar CrossrefBrabazon, T. (1999). Britain’s last line of defence. Women’s Studies International Forum, 22(5), 489–496. https://doi.org/10.1016/s0277-5395(99)00059-x
Google Scholar CrossrefBurlingame, J. (2014). The Music of James Bond. Oxford University Press.
Google Scholar CrossrefCastro, M., & Mara, L. C. (2014). The Social Nature of Attractiveness: How to Shift Attraction from the Dominant Traditional to Alternative Masculinities. International and Multidisciplinary Journal of Social Sciences, 3(2), 182–206. https://doi.org/10.4471/rimcis.2014.36
Google Scholar CrossrefCheng, S.-J. A. (2007). Women and Media: A Critical Introduction. International Sociology, 22(2), 260–262. https://doi.org/10.1177/026858090702200234
Google Scholar CrossrefChen, M. K. Y., Shen, K. T., Arulthasan, S. P., & Sebaratnam, D. F. (2021). The spectre of visible difference: semiotics of disfigurement and moral character in James Bond films. Clinical and Experimental Dermatology. https://doi.org/10.1111/ced.15034
Google Scholar CrossrefChung, Y.-K. (2020). A Change of Characteristics of Spy Films and the Formation of Anticommunist Garrison State in South Korea, 1962~1968. Humanities Research,59, 765–794. https://doi.org/10.52743/hr.59.25
Google Scholar CrossrefClick, M. A., Holladay, H. W., Lee, H., & Kristiansen, L. J. (2015). “let’s hug it out, bitch.” Television & New Media, 16(5), 403–421. https://doi.org/10.1177/1527476414532140
Google Scholar CrossrefCox, K. (2014). Becoming James Bond: Daniel Craig, rebirth, and refashioning masculinity in Casino Royale(2006). Journal of Gender Studies,23(2), 184–196. https://doi.org/10.1080/09589236.2013.783462
Google Scholar CrossrefCreswell, J. W. (2012). Educational Research: Planning, Conducting, and Evaluating Quantitative and Qualitative Research. Pearson.
Google Scholar CrossrefDíez-Palomar, J., Capllonch, M., & Aiello, E. (2014). Analyzing Male Attractiveness Models From a Communicative Approach. Qualitative Inquiry,20(7), 844–849. https://doi.org/10.1177/1077800414537205
Google Scholar CrossrefDodds, K., & Funnell, L. (2018). From Casino Royale to Spectre: Daniel Craig’s James Bond. Journal of Popular Film and Television,46(1), 2–10. https://doi.org/10.17583/rasp.2020.4724
Google Scholar CrossrefMatulic-Domandzic, M.V., Munté-Pascual, A. , & De Vicente Zueras, I. (2020). Sinhogarismo femenino: una aproximación a la intersección entre género, edad y procesos migratorios. Research on Ageing and Social Policy,8(1), 57-85. https://doi.org/10.17583/rasp.2020.4724
Google Scholar CrossrefDowd, A. A. (2021, September 28). No Time To Die is a sentimental, unsatisfying end to the Daniel Craig era of James Bond. The A.V. Club. https://www.avclub.com/no-time-to-die-is-a-sentimental-unsatisfying-end-to-th-1847765251
Google Scholar CrossrefDubois, D. (2018). The Bond identity: Dismantling a franchise in Quantum of Solace. Journal of Adaptation in Film & Performance,11(2), 141–152. https://doi.org/10.1386/jafp.11.2.141_1
Google Scholar CrossrefEl James Bond de Sean Connery era un “violador”, dijo Cary Fukunaga, el director de la nueva película de la saga. (2021, September 23). infobae. https://www.infobae.com/america/entretenimiento/2021/09/23/el-james-bond-de-sean-connery-era-un-violador-dijo-cary-fukunaga-el-director-de-la-nueva-pelicula-de-la-saga/
Google Scholar CrossrefEriksson, J., & Jonasson, K. (2020). Figures of Postwar Sliding: Utopia and Violence in the Extreme Sport Performances of James Bond. Social Sciences, 9(12), 223. https://doi.org/10.3390/socsci9120223
Google Scholar CrossrefEverett, A. (2020). Shaken, Not Stirred Britishness: James Bond, Race, and the Transnational Imaginary. In J. Verheul (Ed), The Cultural Life of James Bond. https://doi.org/10.5117/9789462982185_ch09
Google Scholar CrossrefFernández, F. (2021, September 30). Crítica de “Sin tiempo para morir.” Fotogramas. https://www.fotogramas.es/peliculas-criticas/a37804816/sin-tiempo-para-morir-critica-pelicula/
Google Scholar CrossrefFerre, J. V. (2020). De James Bond a las redes sociales: elementos para el estudio antropológico del deseo. Relaciones: Estudios de Historia Y Sociedad,41(163), 34-57. https://doi.org//10.24901/rehs.v41i163.773
Google Scholar CrossrefFlecha, R., Puigvert, L., & Rios, O. (2013). The New Alternative Masculinities and the Overcoming of Gender Violence. International and Multidisciplinary Journal of Social Sciences, 2(1), 88–113. https://doi.org/10.4471/rimcis.2013.14
Google Scholar CrossrefFritzsche, A., & Dürrbeck, K. (2020). Technology before engineering: How James Bond films mediate between fiction and reality in the portrayal of innovation. Technovation, 92-93, 102080. https://doi.org/10.1016/j.technovation.2019.05.006
Google Scholar CrossrefFunnell, L. (2011). Negotiating Shifts in Feminism: The “Bad” Girls of James Bond. In M. Waters (Ed.), Women on Screen (pp. 199–212). https://doi.org/10.1057/9780230301979_14
Google Scholar CrossrefGalbally, J., Haraksim, R., & Beslay, L. (2019). A Study of Age and Ageing in Fingerprint Biometrics. IEEE Transactions on Information Forensics and Security, 14(5), 1351–1365. https://doi.org/10.1109/TIFS.2018.2878160
Google Scholar CrossrefGarcía, Y. (2021, September 29). Crítica de “Sin tiempo para morir.” Cinemanía. https://www.20minutos.es/cinemania/criticas/critica-sin-tiempo-para-morir-4838195/?autoref=true
Google Scholar CrossrefGarland, T. W. (2009). “The Coldest Weapon of All”: The Bond Girl Villain in James Bond Films. Journal of Popular Film and Television,37(4), 179–188. https://doi.org/10.1080/01956050903227977
Google Scholar CrossrefGermanà, M. (2019). Bond Girls: Body, Fashion and Gender. Bloomsbury Publishing.
Google Scholar CrossrefGermanà, M. (2020). “Bond. James Bond”: Masculinity and its discontents. (2020). In Bond Girls. Bloomsbury Visual Arts. https://doi.org/10.5040/9781474204057.ch-001
Google Scholar CrossrefGerrard, S. (2020). From Blofeld to Moneypenny: Gender in James Bond. Emerald Group Publishing.
Google Scholar CrossrefGil-Ballesteros, G. (2021, October 2). La moviola/Misiva a Mister Bond. El Sol de México. https://www.elsoldemexico.com.mx/analisis/la-moviola-misiva-a-mister-bond-7286316.html
Google Scholar CrossrefGómez, J. (2015). Radical love: A revolution for the 21st century. Peter Lang.
Google Scholar CrossrefGörke, C. (2019a). Melted Your Cold Heart Yet?’'Amatonormative Masculinity in Casino Royale and Spectre. International Journal of James Bond Studies, 2(1). http://doi.org/10.24877/jbs.44
Google Scholar CrossrefGörke, C. (2019b). How Many Is That Now? Casual Sex as a Moral Failing in the Rebooted James Bond Films. Journal of the International Symposium of Students of English, Croatian and Italian Studies, 34–54. https://repozitorij.svkst.unist.hr/islandora/object/ffst:2235
Google Scholar CrossrefGraumans, W., Stone, W. J. R., & Bousema, T. (2021). No time to die: An in-depth analysis of James Bond’s exposure to infectious agents. Travel Medicine and Infectious Disease, 44, 102175. https://doi.org/10.1016/j.tmaid.2021.102175
Google Scholar CrossrefGrice, C. (2019). 007 Spies, surveillance and pedagogical middle leadership: for the good of the empire of education. Journal of Educational Administration and History, 51(2), 165–181. https://doi.org/10.1080/00220620.2019.1583173
Google Scholar CrossrefGuarinos, V., & Martín, I. S.-L. (2021). Masculinity and Rape in Spanish Cinema: Representation and Collective Imaginary. Masculinities & Social Change, 10(1), 25–53. https://doi.org/10.17583/mcs.2021.5608
Google Scholar CrossrefHarty, K. J. (2020). James Bond, A Grifter, A Video Avatar, and a Shark Walk into King Arthur’s Court: The Ever-Expanding Canon of Cinema Arthuriana. Arthuriana,30(2), 89–121. https://doi.org/10.1353/art.2020.0011
Google Scholar CrossrefHines, C. (2018). “Brave New World”: The New Q, Masculinity, and the Craig Era Bond Films. Journal of Popular Film and Television, 46(1),46–55. https://doi.org/10.1080/01956051.2018.1423209
Google Scholar CrossrefHiramoto, M., & Pua, P. (2019). Racializing heterosexuality: Non-normativity and East Asian characters in James Bond films. Language In Society, 48(4), 541–563. https://doi.org/10.1017/S0047404519000381
Google Scholar CrossrefHochscherf, T. (2013). Bond for the Age of Global Crises: 007 in the Daniel Craig Era. Journal of British Cinema and Television, 10(2), 298–320. https://doi.org/10.3366/jbctv.2013.0136
Google Scholar CrossrefHolliday, C. (2018). London, the Post-7/7 Bond Films, and Mourning Work. Journal of Popular Film and Television,46(1), 56–63. https://doi.org/10.1080/01956051.2018.1423210
Google Scholar CrossrefHolmlund, C. (2019). M.I.A.: Actors, acting and Swedish superspy Carl Hamilton. Journal of Scandinavian Cinema,9(3), 289–309. https://doi.org/10.1386/jsca_00005_1
Google Scholar CrossrefJoanpere, M., Redondo-Sama, G., Aubert, A., & Flecha, R. (2021). I Only Want Passionate Relationships: Are You Ready for That? Frontiers in Psychology, 12, 673953. https://doi.org/10.3389/fpsyg.2021.673953
Google Scholar CrossrefJohnson, G., Guha, I. N., & Davies, P. (2013). Were James Bond’s drinks shaken because of alcohol induced tremor? In BMJ,347. https://doi.org/10.1136/bmj.f7255
Google Scholar CrossrefJones, N. (2018). New Digs, Old Digs: Vauxhall Cross, Whitehall, and the London of Craig’s Bond. Journal of Popular Film and Television, 46(1), 22–33. https://doi.org/10.1080/01956051.2018.1423206
Google Scholar CrossrefKavanagh, C., & Cavanna, A. E. (2020). James Bond villains and psychopathy: a literary analysis. Journal of Psychopathology. https://doi. org/10.36148/2284-0249-351
Google Scholar CrossrefKivel, B. D., & Johnson, C. W. (2009). Consuming Media, Making Men: Using Collective Memory Work To Understand Leisure and the Construction of Masculinity. Journal Of Leisure Research,41(1), 110–134. https://doi.org/10.1080/00222216.2009.11950162
Google Scholar CrossrefKluger, N. (2022). Visible scars and disfigurement in James Bond films are clues to the characters’ history, not their immorality. Clinical and Experimental Dermatology. https://doi.org/10.1111/ced.15084
Google Scholar CrossrefKunicki, M. (2020). A Socialist 007 : East European Spy Dramas in the Early James Bond Era. In J. Verheul (Ed), The Cultural Life of James Bond. https://doi.org/10.5117/9789462982185_ch02
Google Scholar CrossrefLee, S. (2017). Destination Hong Kong: The Geopolitics of South Korean Espionage Films in the 1960s. Journal of Korean Studies, 22(2), 343–364. https://doi.org/10.1353/jks.2017.0016
Google Scholar CrossrefLópez de Aguileta, G., Torras-Gómez, E., García-Carrión, R., & Flecha, R. (2020). The emergence of the language of desire toward nonviolent relationships during the dialogic literary gatherings. Language and Education, 34(6), 583–598. https://doi.org/10.1080/09500782.2020.1801715
Google Scholar CrossrefManganas, N. (2019). Real men: Sam Smith’s emasculation of the James Bond theme. Celebrity Studies, 10(3), 436–440. https://doi.org/10.1080/19392397.2019.1630159
Google Scholar CrossrefMartín, S. (2019). Ernst Stavro Blofeld, Larger than Life. In S. Martin, Masculinity and Patriarchal Villainy in the British Novel. From Hitler to Voldemort. (pp. 105–128). https://doi.org/10.4324/9781003007951-6
Google Scholar CrossrefMcDonald, T. H. (2015). War-image as affect, war-image as spectacle in turn-of-the-millennium Hollywood: how are violent masculinities expressed? Normat. Nordisk Matematisk Tidskrift, 10(3-4), 236–249. https://doi.org/10.1080/18902138.2015.1102379
Google Scholar CrossrefMelgar Alcantud, P., Puigvert, L., Rios, O., & Duque, E. (2021). Language of Desire: A Methodological Contribution to Overcoming Gender Violence. International Journal of Qualitative Methods, 20, 16094069211034597. https://doi.org/10.1177/16094069211034597
Google Scholar CrossrefMerodio, G., Duque, E., & Axt Peña, J. C. (2020). They Are Not Romeo Pimps, They Are Traffickers: Overcoming the Socially Dominant Discourse to Prevent the Sex Trafficking of Youth. Qualitative Inquiry: QI, 26(8-9), 1010–1018. https://doi.org/10.1177/1077800420938881
Google Scholar CrossrefMerwe, P. van der, van der Merwe, P., & Bekker, I. (2018). (Dis)Continuities in Bond: A Bakhtinian Analysis of the 007 Films. Journal of Literary Studies, 34(3), 16–30. https://doi.org/10.1080/02564718.2018.1507162
Google Scholar CrossrefMiller, T. (2020). 6. Paradoxical Masculinity: James Bond, Icon of Failure. In J. Verheul (Ed), The Cultural Life of James Bond (pp. 125–148). Amsterdam University Press. https://doi/10.1515/9789048532117-008/html
Google Scholar CrossrefMoran, C. R., & McCrisken, T. (2019). The secret life of Ian Fleming: spies, lies and social ties. Contemporary British History, 33(3), 336–356. https://doi.org/10.1080/13619462.2018.1545579
Google Scholar CrossrefNeuendorf, K. A., Gore, T. D., Dalessandro, A., Janstova, P., & Snyder-Suhy, S. (2010). Shaken and Stirred: A Content Analysis of Women’s Portrayals in James Bond Films. Sex Roles,62(11-12), 747–761. https://doi.org/10.1007/s11199-009-9644-2
Google Scholar CrossrefPadrós-Cuxart, M., Rodrigues de Mello, R., Ramis-Salas, M., & Duque, E. (2021). Dialogic gathering of films. Promoting meaningful online interactions during COVID-19 confinement. PloS One, 16(7), e0254132. https://doi.org/10.1371/journal.pone.0254132
Google Scholar CrossrefPalmer, L. (2020). 8. Market Forces: James Bond, Women of Color, and the Eastern Bazaar. In J. Verheul (Ed), The Cultural Life of James Bond (pp. 171–186). Amsterdam University Press. https://www.degruyter.com/document/doi/10.1515/9789048532117-010/html
Google Scholar CrossrefPanchadhyayi, S. (2021). Gender, Widowhood and Female Solidarity: A Study on Female Friendships of later-life widows. Research on Ageing and Social Policy, 9(1), 26-50. https://hipatiapress.com/hpjournals/index.php/rasp/article/view/5053
Google Scholar CrossrefPankratz, A., & Böhm, S. (2020). Play it Again, James: Seriality in the Craig Bond Films. International Journal of James Bond Studies, 3(1). https://doi.org/10.24877/jbs.53
Google Scholar CrossrefPua, P. (2018). Iron lady to old lady: the neutering of James Bond’s M. Feminist Media Studies, 18(1), 94–107. https://doi.org/10.1080/14680777.2018.1409991
Google Scholar CrossrefPua, P., & Hiramoto, M. (2018). Mediatization of East Asia in James Bond films. Discourse, Context & Media, 23, 6–15. https://doi.org/10.1016/j.dcm.2017.01.003
Google Scholar CrossrefPuigvert, L., & Flecha, R. (2018). Definitions of coercive discourse, coerced preferences and coerced hooking-up. This Work Is Licensed Under the Creative Commons Attribution-NonCommercial-NoDerivatives, 4.
Google Scholar CrossrefPuigvert, L., Gelsthorpe, L., Soler-Gallart, M., & Flecha, R. (2019). Girls’ perceptions of boys with violent attitudes and behaviours, and of sexual attraction. Palgrave Communications, 5(1). https://doi.org/10.1057/s41599-019-0262-5
Google Scholar CrossrefRacionero-Plaza, S., Puigvert, L., Soler-Gallart, M., & Flecha, R. (2022). Contributions of Socioneuroscience to Research on Coerced and Free Sexual-Affective Desire. Frontiers in Behavioral Neuroscience https://doi.org/10.3389/fnbeh.2021.814796
Google Scholar CrossrefRacionero-Plaza, S., Ugalde, L., Merodio, G., & Gutiérrez-Fernández, N. (2020). “Architects of Their Own Brain.” Social Impact of an Intervention Study for the Prevention of Gender-Based Violence in Adolescence. Frontiers in Psychology, 10, 3070. https://doi.org/10.3389/fpsyg.2019.03070
Google Scholar CrossrefRios-González, O., Peña Axt, J. C., Duque Sánchez, E., & De Botton Fernández, L. (2018). The language of ethics and double standards in the affective and sexual socialization of youth. Communicative acts in the family environment as protective or risk factors of intimate partner violence. Frontiers in Sociology, 3. https://doi.org/10.3389/fsoc.2018.00019
Google Scholar CrossrefRodrigues de Mello, R., Soler-Gallart, M., Braga, F. M., & Natividad-Sancho, L. (2021). Dialogic Feminist Gathering and the Prevention of Gender Violence in Girls With Intellectual Disabilities. Frontiers in Psychology, 12, 662241. https://doi.org/10.3389/fpsyg.2021.662241
Google Scholar CrossrefRodrigues-Mello, R., Bonell-García, L., Castro-Sandúa, M., & Oliver-Pérez, E. (2021). “Three Steps Above Heaven? Really? That’s all tactic!” new alternative masculinities dismantling dominant traditional masculinity’s strategies. Frontiers in Psychology, 12, 673829. https://doi.org/10.3389/fpsyg.2021.673829
Google Scholar CrossrefRuiz-Eugenio, L., del Cerro, A. T., Crowther, J., & Merodio, G. (2021). Making Choices in Discourse: New Alternative Masculinities Opposing the “Warrior’s Rest.” In Frontiers in Psychology,12. https://doi.org/10.3389/fpsyg.2021.674054
Google Scholar CrossrefRuiz-Eugenio, L., Puigvert, L., Ríos, O., & Cisneros, R. M. (2020). Communicative Daily Life Stories: Raising Awareness About the Link Between Desire and Violence. Qualitative Inquiry,26(8-9), 1003–1009. https://doi.org/10.1177/1077800420938880
Google Scholar CrossrefRuiz-Eugenio, L., Racionero-Plaza, S., Duque, E., & Puigvert, L. (2020). Female university students’ preferences for different types of sexual relationships: implications for gender-based violence prevention programs and policies. BMC Women’s Health, 20(1), 266. https://doi.org/10.1186/s12905-020-01131-1
Google Scholar CrossrefSalceda, M., Vidu, A., Aubert, A., & Roca, E. (2020). Dialogic Feminist Gatherings: Impact of the Preventive Socialization of Gender-Based Violence on Adolescent Girls in Out-of-Home Care. Social Sciences, 9(8), 138. https://doi.org/10.3390/socsci9080138
Google Scholar CrossrefSánchez-Amaya, H. (2021, October 5th). Sin tiempo para morir, el adiós de Daniel Craig a James Bond. Crónica Uno. https://cronica.uno/sin-tiempo-para-morir-el-adios-de-daniel-craig-a-james-bond/?fbclid=IwAR2jF9Sio_Gl-gZOoUZcZi3XeVZ70uAy8jA-av90TAikhu5zIYNhVhFG_l8.
Google Scholar CrossrefSewell-Peterson, S. (2021, October, 3rd). Every James Bond 007 Movie Ranked. The Film Magazine. https://www.thefilmagazine.com/every-james-bond-007-movie-ranked/
Google Scholar CrossrefShih, E. (2017). Doubled Over 007: “Aryu Pondŭ” and Genre-Mixing Comedy in Korea. Journal of Korean Studies, 22( 2), 365–388. https://doi.org/10.1215/21581665-4226487
Google Scholar CrossrefShim, K. (2008). The New Beginning of the James Bonds Franchise: Casino Royale’s Transformation and its Limitations. The Journal of Literature and Film, 9(2), 365–386. https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART001276612
Google Scholar CrossrefSmith, J. A., & Others. (2018). The First American’Superspy': Secret Agency and the Black Nation in Martin R. Delany's Blake. In M. Crhová and M. Weiss, SILESIAN STUDIES IN ENGLISH , 157.
Google Scholar CrossrefStankevičiūtė, K. (2019). Stereotyping Scandinavia in popular spy films: The image of the female. Journal of Scandinavian Cinema, 9(3), 311–328. https://doi.org/10.1386/jsca_00006_1
Google Scholar CrossrefStrong, J. (2020). Character Adaptations: Recurrence and Return. Adaptation, Learning, and Optimization, 14(1), 109–135. https://doi.org/10.1093/adaptation/apaa028
Google Scholar CrossrefThomas, S. (2018). The New Brutalism: Agency, Embodiment and Performance in Daniel Craig’s 007. Journal of Popular Film and Television, 46(1), 34–45. https://doi.org/10.1080/01956051.2018.1423208
Google Scholar CrossrefTorras-Gómez, E., Puigvert, L., Aiello, E., & Khalfaoui, A. (2019). Our Right to the Pleasure of Falling in Love. Frontiers in Psychology, 10, 3068. https://doi.org/10.3389/fpsyg.2019.03068
Google Scholar CrossrefValls-Carol, R., Madrid-Pérez, A., Merrill, B., & Legorburo-Torres, G. (2021). “Come on! He Has Never Cooked in His Life!” New Alternative Masculinities Putting Everything in Its Place. Frontiers in Psychology, 12. https://doi.org/10.3389/fpsyg.2021.674675
Google Scholar CrossrefValls, R., Puigvert, L., & Duque, E. (2008). Gender violence among teenagers: socialization and prevention. Violence against Women, 14(7), 759–785. https://doi.org/10.1177/1077801208320365
Google Scholar CrossrefVerheul, J. (2020). The Cultural Life of James Bond: Specters of 007. Amsterdam University Press.
Google Scholar CrossrefVermaak, J., & Le Clue, N. (2020). Miss Moneypenny and the Friend-zone: The Indispensable and Sexually Unavailable “Bond Girl.” In S. Gerrard, From Blofeld to Moneypenny: Gender in James Bond (pp. 201–214). https://doi.org/10.1108/978-1-83867-165-520201019
Google Scholar CrossrefVillarejo, B., López, G., & Cortés, M. (2020). The Impact of Alternative Audiovisual Products on the Socialization of the Sexual-Affective Desires of Teenagers. Qualitative Inquiry,26(8-9), 1048–1055. https://doi.org/10.1177/1077800420938887
Google Scholar CrossrefWallis, C. (2011). Performing Gender: A Content Analysis of Gender Display in Music Videos. Sex Roles, 64(3), 160–172. https://doi.org/10.1007/s11199-010-9814-2
Google Scholar CrossrefWilson, N., & Tucker, A. (2017). Die Another Day, James Bond’s smoking over six decades. Tobacco Control,26(5), 489–490. https://doi.org/10.1136/tobaccocontrol-2016-053426
Google Scholar CrossrefWilson, N., Tucker, A., Heath, D., & Scarborough, P. (2018). Licence to swill: James Bond’s drinking over six decades. The Medical Journal of Australia,209(11), 495–500. https://doi.org/10.5694/mja18.00947
Google Scholar CrossrefYbarra, M. L., Diener-West, M., Markow, D., Leaf, P. J., Hamburger, M., & Boxer, P. (2008). Linkages between internet and other media violence with seriously violent behavior by youth. Pediatrics, 122(5), 929–937. https://doi.org/10.1542/peds.2007-3377
Google Scholar CrossrefYoungyiil, K. (2017). Skyfall and Geopolitics of Globalization: The relation of the national and Globalization. Film Studies,73, 5–43. https://doi.org/10.17947/kfa..73.201709.001
Google Scholar CrossrefYu, H.-Y. (2021). Interior lighting: James Bond’s room research. Journal of Optics, 50(1), 142–146. https://doi.org/10.1007/s12596-020-00674-8
Google Scholar CrossrefZegers, L. D. A., & Zegers, R. H. (2018). (Un)safe sex in James Bond films: what chance for sex education?. Scottish Medical Journal, 63(4), 113–118. https://doi.org/10.1177/0036933018809601
Google Scholar CrossrefZerhouni, O., Bègue, L., Sarda, E., & Gentile, D. (2020). Shaken & Stirred: effect alcohol portrayals in movies on attitudes toward alcohol and self-alcohol associations. Journal of Substance Use, 25(5), 462–468. https://doi.org/10.1080/14659891.2020.1736662
Google Scholar CrossrefZimmer, M., & Kinder-Kurlanda, K. (2017). Internet Research Ethics for the Social Age: New Challenges, Cases, and Contexts. Peter Lang International Academic Publishers. https://dl.acm.org/doi/abs/10.5555/3169874
Google Scholar CrossrefDownloads
Published
Almetric
Dimensions
How to Cite
Issue
Section
License
Copyright (c) 2022 Elena Duque Sanchez, Garazi López de Aguileta , Josep Maria Canal, Mar Joanpere Foraster
This work is licensed under a Creative Commons Attribution 4.0 International License.
All articles are published under Creative Commons copyright (CC BY). Authors hold the copyright and retain publishing rights without restrictions, but authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy articles as the original source is cited.