A Worker’s Suicide as the Collapse of Masculinity: The Analysis of The Movie "My Father's Wings”
https://doi.org/10.17583/mcs.14461
Keywords:
Abstract
My Father's Wings by Kıvanç Sezer (2016) shows us how loneliness and desperation are experienced, based on a case of a Turkish construction worker. This article analyzes the film My Father's Wings using the film sociology methodology and focusing on gender and the approach of the Turkish cinema industry that has emphasized emotions after the 2000s. The intertwined experiences of masculinity crisis and being a worker are discussed by articulating Turkish cinema and Turkey's social and political dynamics in the analysis of the film. Based on the film, the collapse of the two pillars on which masculinity is built as the head of the family and the master worker and individualization in the working class and society in general are discussed within the political and social atmosphere that resulted in everyone's withdrawal to their own world.
Downloads
References
Aaron, M. (2014). Cinema and suicide: necromanticisinn, dead-already-ness, and the logic of the vanishing point. Cinema Journal, 53(2), 71-92. http://www.jstor.org/stable/43653569.
Google Scholar CrossrefAdinkrah, M. (2012). Better dead than dishonored: Masculinity and male suicidal behavior in contemporary Ghana. Social Science & Medicine, 74: 474-481. https://doi.org/10.1016/j.socscimed.2010.10.011
Google Scholar CrossrefAkbal Süalp, Z.T. (2015). Mutlu Sınıf yoktur; söyle bunları. In F. Başaran, (Ed.) İşçi Filmleri, Öteki Sinemalar (pp.214-240). Yordam.
Google Scholar CrossrefAkad, L.Ö. (Director). (1973). Gelin [ Film]. Erman Film.
Google Scholar CrossrefAkad, L.Ö. (Director). (1973). Düğün [ Film]. Erman Film.
Google Scholar CrossrefAkad, L.Ö. (Director). (1974). Diyet [ Film]. Erman Film
Google Scholar CrossrefAkça, İ. (2018). 1980 sonrası Türkiye’de hegemonya projeleri ve otoriterimin değişen biçimleri. In İ. Akça, A. Bekmen, B.A. Özden (Eds). Yeni Türkiye’ye Varan Yol (pp.27-68). İletişim.
Google Scholar CrossrefAkçay, D. (Director). (2014). Köksüz [ Film]. M3 Film.
Google Scholar CrossrefAkıncı, A. F. (Director). (1996). Ekmek [ Film]. Gizem Film.
Google Scholar CrossrefAkser, M. (2018). Locating Turkish cinema between populist tendencies and art cinema. In A.H.J. Magian-Park & Tan S.K. (Eds). The Palgrave Handbook of Asian Cinema (pp.151-170). Palgrave.
Google Scholar CrossrefAltyazı (2020). Kıvanç Sezer ile babamın kanatları üzerine söyleşi. https://altyazi.net/soylesiler/kivanc-sezer-ile-babamin-kanatlari-uzerine-soylesi/ (29.01.2023).
Google Scholar CrossrefAndoh-Arthur, J., Knizek, B.L., Osafo, J. & Hjelmeland, H. (2018). Suicide among men in Ghana: The burden of masculinity. Death Studies. 42(19): 658-666. https://doi.org/10.1080/07481187.2018.1426655
Google Scholar CrossrefArslan, U.T. (2005). Bu Kabuslar Neden Cemil?: Yeşilçam’da Erkeklik ve Mazlumluk. Metis.
Google Scholar CrossrefAslan, T. (2004). Onu kaybettin Tahsin hem de yıllar önce”: Yeşilçam’ın erkekleri ne istiyor?. Toplum ve Bilim, 101, 162-191.
Google Scholar CrossrefBaşarır, İ. (Director). (2005). Başka dilde aşk [ Film]. Kutu Film.
Google Scholar CrossrefBaşarır, İ. & Fırat, M. (Directors). (2010). Atlıkarınca [ Film]. Kutu Film.
Google Scholar CrossrefBozkurt-Güngen, S. (2018). Labour and authoritarian neoliberalism: changes and continuities under the AKP governments in Turkey. South European Society and Politics, 23 (2), 219-238. https://doi.org/10.1080/13608746.2018.1471834
Google Scholar CrossrefConnell, R. W. (2005). Masculinities. University of California Press.
Google Scholar CrossrefConnell, R.W. (1987). Gender and Power. Stanford University Press.
Google Scholar CrossrefCormican, M. (2013). Masculinity and transnational paradigms: The cinema of Fatih Akın. Colloquia Germanica, 46(1), 21-46. http://www.jstor.org/stable/43653048.
Google Scholar CrossrefCordoba, D. Sebastian, M.S. Escolar-Pujolar, A., Martinez-Faure, J,E. & Gustafsson, P.E. (2014). Economic crisis and suicidal behaviour: the role of unemployment, sex and age in Andalusia, Southern Spain. International Journal for Equity in Health 13(55), 1-10. https://doi.org/10.1186/1475-9276-13-55
Google Scholar CrossrefCoş, N. (2015). Türk sinemasında işçi. In F. Başaran, (Ed). İşçi Filmleri, Öteki Sinemalar (pp.157-177). Yordam.
Google Scholar CrossrefÇelik, A. (2023). 24 Ocak ve 12 Eylül cenderesinde seksenlerde emeğin durumu. In M.K. Kaynar, (Ed) Türkiye’nin 1980’li Yılları (pp. 647-648). İletişim.
Google Scholar CrossrefÇelik, A. (2018). Sembiyotik ilişkiler ve otoriter korporatizm kıskacında 2010’lu yıllarda Türkiye’de sendikalaşma, toplu pazarlık ve grev eğilimleri”. Uluslararası Yönetim, İşletme ve İktisat Dergisi CEEİK 2018 special issue, 39-69.
Google Scholar CrossrefÇelik, A .(2015). Turkey’s new labour regime under the justice and development party in the first decade of twenty-first century: authoritarian flexibilization. Middle Eastern Studies 51(4):, 618-635. https://doi.org/10.1080/00263206.2014.987665
Google Scholar CrossrefDaldal, A. (2023). The Disappearance of the working class hero in the new independent Turkish cinema: globalization and the politics of festivalism. Inter-Asia Cultural Studies, 24(1), 2-18. https://doi.org/10.1080/14649373.2023.2156113
Google Scholar CrossrefEken, M.E. (2021). Yetmişli yıllarda Türk sineması. In M.K. Kaynar (Ed) Türkiye’nin 1970’li Yılları (pp. 917-958). İletişim.
Google Scholar CrossrefErol, M.E. (2018). State and labour under AKP rule in Turkey: an appraisal. Journal of Balkan and Near Eastern Studies, 21(6), 663-677. https://doi.org/10.1080/19448953.2018.1506296
Google Scholar CrossrefFiğan, M. (2018). Abluka’nın içi-dışı: Bir mekan. In B. Şenel O. Kartal (Eds) Perdeye Yansıyan Kavga: Yılmaz Güney’den Emin Alper’e Politik Sinema (pp.201-215). Phoenix.
Google Scholar CrossrefFlicker, E. (2003). Between brains and breasts-women scientists in fiction film: on the marginalization and sexualization of scientific competence”. Public Understanding of Science, 12, 307-318. https://doi.org/10.1177/0963662503123009
Google Scholar CrossrefDiken B. & Laustsen, C.B. (2016). Filmlerle Sosyoloji. Metis.
Google Scholar CrossrefDiken, B. Gilloch, G. & Hammond, C. (2018). Nuri Bilge Ceylan Sineması. Metis.
Google Scholar CrossrefDisk/Genel-İş (2017). 10 ayda 71 işçi intihar ederek yaşamına son verdi. https://www.genel-is.org.tr/10-ayda-71-isci-intihar-ederek-yasamina-son-verdi,2,15845 (1.5.2024).
Google Scholar CrossrefDonald, R.R. (2014). Masculinity and Machismo in Hollywood’s War Films. In S.M. Whitehead F. J. Barrett (Eds) The Masculinities Reader (pp. 170-183). Polity.
Google Scholar CrossrefEradam, Y. (2013). Dünya edebiyatı ve Türkiye sinemasında yalnız çelebi arketipi ve Yeraltı. In G. Yaşartürk (Ed). Ve Sinema (pp. 85-118). Doruk.
Google Scholar CrossrefErkılıç, H. (2011). Türk sinemasında hegemonik erkek(lik): kahramandan anti-kahramana erkeklik temsil(ler)i. In İ. Erdoğan (Ed) Medyada Hegemonik Erkeklik ve Temsil (pp.232-241). Kalkedon.
Google Scholar CrossrefGörücü, B. (2015). Türk sinemasında işçi: 1973 Sonrası. In F. Başaran, (Ed). İşçi Filmleri, Öteki Sinemalar, (pp.178-208). Yordam.
Google Scholar CrossrefGöreç, E. (Director). (1964). Karanlıkta uyananlar [ Film]. Filmo Campany.
Google Scholar CrossrefGüney, Y. & Gören, Ş. (Directors). (1974). Endişe [ Film]. Güney Film
Google Scholar CrossrefGünsberg, M. (2005). Italian Cinema. Palgrave Macmillan.
Google Scholar CrossrefGürkan, H. & Ege, Ö. (2023). Gendering Turkish action films in the post-2010 period: hey boy, protect me and don’t cry!. Studies in European Cinema 20:1, 4-19. https://doi.org/10.1080/17411548.2021.1903296
Google Scholar CrossrefGürkan, H. & Serttaş, A. (2022). The representation of masculinity in cinema and on television: an analysis of fictional male characters. European Journal of Multidisciplinary Studies, 7(1), 128-137. https://doi.org/10.26417/ejms.v5i1.p402-408
Google Scholar Crossrefİş Sağlığı ve Güvenliği Genel Müdürlüğü (2017). İnşaat sektörü 2017 istatistikleri. chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://guvenliinsaat.csgb.gov.tr/media/0nkjykvc/istatistik2017.pdf (1.5. 2024).
Google Scholar CrossrefHarvey, D. (2003). Postmodernliğin Durumu. Metis.
Google Scholar CrossrefHiçdurmaz, M. (Director). (1987). Çark [ Film]. Burak Film.
Google Scholar CrossrefIacuone, D. (2005). “Real men are tough guys”: hegemonic masculinity and safety in the construction industry. Journal of Men’s Studies, 13(2), 247-266. https://doi.org/10.3149/jms.1302.247
Google Scholar CrossrefIbanez, M. & Narocki, C. (2012). Occupational risk and masculinity: the case of the construction industry in Spain. J. Workplace Rights, 16(2), 195-217.
Google Scholar CrossrefJaworski, K. (2010). The gender-ing of suicide. Australian Feminist Studies, 25(63), 47-61. https://doi.org/10.1080/08164640903499752
Google Scholar CrossrefJordan, A. & Chandler, A. (2019). Crisis, what crisis? a feminist analysis of discourse on masculinities and suicide. Journal of Gender Studies, 28(4), 462-474. https://doi.org/10.1080/09589236.2018.1510306
Google Scholar CrossrefKalish, R. & Kimmel, M. (2010). Suicide by mass murdeer: masculinity, aggrieved entitlement, and rampage school shootings. Health Sociology Review, 19, 451-464. https://doi.org/10.5172/hesr.2010.19.4.451
Google Scholar CrossrefKenway, J., Fitzclarence, L. & Hasluck, L. (2000). Toxic shock: understanding violence against young males in the workplace. The Journal of Men’s Studies, 8(2), 131–152. https://doi.org/10.3149/jms.0802.131
Google Scholar CrossrefKıral, E. (Director). (1980). Bereketli topraklar üzerinde [ Film]. Polar Film.
Google Scholar CrossrefKondo, N. & Oh, J. (2010). Suicide and Karoshi (death from overwork) during the recent economic crises şn Japan: the impacts, mechanisms and political responses. Journal of Episdemiology & Community Health, 64, 649-650. https://doi.org/10.1136/jech.2009.090787
Google Scholar CrossrefLeal, J. (2012). American cinema and the construction of masculinity in film in the federal republic after 1945”. German Life and Letters, 65(1), 59-72. https://doi.org/10.1111/j.1468-0483.2011.01559.x
Google Scholar CrossrefMallon, S. Karen, G., Lynette, H. Rondon-Sulbaran & J. Leavey, G. (2016). An exploration of integrated data on the social dynamics of suicide among women”. Sociology of Health &Illness, 38(4), 662-675. https://doi.org/10.1111/1467-9566.12399
Google Scholar CrossrefOktan, A. (2008). Türk sinemasında hegemonik erkeklikten erkeklik krizine: Yazı-tura ve erkeklik bunalımının sınırları. Selçuk İletişim, 5(2), 152-166.
Google Scholar CrossrefOliffe, J.L., Han, C.S.E., Drummond, M., Maria, E.S., Bottorff, J.L. & Creighton, G. (2015). Man, masculinities, and murder-suicide. American Journal of Men’s Health, 9(6), 473-485. https://doi.org/10.1177/1557988314551359
Google Scholar CrossrefOliffe, J.L. & Han C.S.E. (2014). Beyond workers’ compensation: men’s mental health in and out of work.” American Journal of Men’s Health, 8: 45-53. https://doi.org/10.1177/1557988313490786
Google Scholar CrossrefÖzbay, C. (2013). Türkiye’de hegemonik erkekliği aramak. Doğu Batı 63, 185-204.
Google Scholar CrossrefÖzgür, Ö (2018). Türk Sinemasında Baba Temsili. Palet.
Google Scholar CrossrefÖzkan, Y. (Director). (1978). Maden [ Film]. Yeşilçam Film.
Google Scholar CrossrefÖzkan, Y. (Director). (1978). Demir yol [ Film]. Tan Film.
Google Scholar CrossrefÖztürk, A. (Director). (2015). Toz bezi [ Film]. Ahu Film.
Google Scholar CrossrefPekerman, S. (2012). Film Dilinde Mahrem. Metis.
Google Scholar CrossrefSaddington, J. (2010). The representation of suicide in the cinema [Unpublished doctoral dissertation]. University of York.
Google Scholar CrossrefSancar, S. (2009). Erkeklik: İmkansız İktidar. Metis.
Google Scholar CrossrefSezer, K. (Director). (2016). Babamın kanatları [ Film]. Nar Film.
Google Scholar CrossrefStack, S. & B. Bowman (2017). Why men choose firearms more than women: gender and the portrayal of firearm suicide in film, 1900-2013. In T. Niederkrotenthaler S. Stack (Eds). Media and Suicide: International Perspectives on Theory, Research and Policy (pp.17-26). Taylor and Francis.
Google Scholar CrossrefStanding, G. (2011). Prekarya. İletişim.
Google Scholar CrossrefStack, S. Kral, M., & Borowski, T. (2014). Exposure to suicide movies and suicide attempts: a research note. Sociological Focus, 47(1), 61-70. https://doi.org/10.1080/00380237.2014.856707
Google Scholar CrossrefStark, C., Belbin, A. & Hopkins, P., et,al. (2006). Male suicide and occupation in Scotland. Health Statistics Quarterly, 29, 26-29. PMID: 16523678.
Google Scholar CrossrefSuppia, A. (2013). Aimless roam: the worker as a permanent intruder in Brazilian cinema. The Journal of Labor and Society, 16, 471-486. https://doi.org/10.1163/17434580-01604004
Google Scholar CrossrefŞen, S. (2019). Gemideki Hayalet: Türk sinemasında Kürtlüğün ve Türklüğün kuruluşu. Metis.
Google Scholar CrossrefTemelkuran, İ. (Director). (2009). Bornova Bornova [ Film]. Tiglon.
Google Scholar CrossrefTemelkuran İ. (Director). (2007). Made in Europa [ Film]. Özen Film.
Google Scholar CrossrefTepegöz, E. (Director). (2012). Zerre [ Film]. Kule Film.
Google Scholar CrossrefThwaites, E.C. (2013). İktidar, haz ve hınç: kadınlar ve despotlar. In G. Yaşartürk (Ed). Ve Sinema (pp. 217-244). Doruk.
Google Scholar CrossrefUlusay, N. (2004). Günümüz Türk sinemasında “erkek filmlerinin yükselişi ve erkeklik krizi.” Toplum ve Bilim, 101, 144-161.
Google Scholar CrossrefVandello, J.A., Bosson, J.K., & Cohen, D. (2008). Precarious manhood. Journal of Personality and Social Psychology, 95(6), 1325-1339. https://doi.org/10.1037/a0012453
Google Scholar CrossrefWagner, K.B. (2014). Historicizing labor cinema: recovering class and lost work on Screen. Labor History, 55(3), 309-325. https://doi.org/10.1080/0023656X.2014.909989
Google Scholar CrossrefWest, C. & Zimmerman, D.H. (1987). Doing gender. Gender and Society, 1(2), 125-151. https://doi.org/10.1177/0891243287001002002
Google Scholar CrossrefYılmaz, A. (Director). (1978). Kibar Feyzo [ Film]. Arzu Film
Google Scholar CrossrefYüksel, E. (2013). Babalar ve oğullar: 2000’ler Türkiye sinemasında erkeklik krizi. Sinecine, 4(2), 41-67.
Google Scholar CrossrefZaniello, T. (2020). The Cinema of the Precariat. Bloomsbury.
Google Scholar CrossrefPublished
Almetric
Dimensions
How to Cite
Issue
Section
License
Copyright (c) 2024 Sidar Çınar
This work is licensed under a Creative Commons Attribution 4.0 International License.
All articles are published under Creative Commons copyright (CC BY). Authors hold the copyright and retain publishing rights without restrictions, but authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy articles as the original source is cited.