Tras el Azafrán Minoico

Una Propuesta Escultórica para un Nuevo Paradigma

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https://doi.org/10.17583/brac.12010

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Este ensayo propone el abordaje mitopoiético de la cultura material minoica en la práctica artística contemporánea. En primer lugar, partiendo de fuentes arqueológicas se enfatiza su singularidad, de la que pueden obtenerse aprendizajes significativos y un enfoque holístico ante los actuales debates de género, espirituales y medioambientales. En segundo lugar, se presta atención a uno de sus programas pictóricos, propuesto aquí como ejemplo  paradigmático en la convergencia del arte, sociedad, economía y religión minoicas. Y en tercer lugar, entendiendo que la práctica artística puede promover una comprensión del mundo más unitaria y afectiva, se propone un desarrollo escultórico con la mujer posicionada como sujeto principal, para contribuir a la deconstrucción del paradigma dual que determina las relaciones entre las personas y como aporte a la espiritualidad feminista.

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Weilhartner, J. (2010) Gender dimorphism in the Linear A and Linear B tablets. En M.-L. Nosch y R. Laffineur (Eds.). KOSMOS. Jewellery, Adornment and Textiles in the Aegean Bronze Age. Proceedings of the 13th International Aegean Conference, 287–296. Peeters. https://www.academia.edu/1777935/Gender_Dimorphism_in_the_Linear_A_and_Linear_B_Tabletsivera

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2023-10-03

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Morro Mas, A. M. (2023). Tras el Azafrán Minoico: Una Propuesta Escultórica para un Nuevo Paradigma. Barcelona Investigación Arte Creación, 11(3), 352–387. https://doi.org/10.17583/brac.12010

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